To set the global standard for making and sharing condition reports and art inventories.
My roles have mainly been as a Paper Conservator and Collection Manager, working at the Long Beach Museum of Art, St Paul’s Cathedral, and Tate. After heading a new conservation studio at John Jones, I became an entrepreneur and founded Articheck in 2013 to help industry professionals streamline their approach to condition reporting.
Co-Founder & Director of Museum Accounts
Prior to co-founding Articheck, I was the Registrar at the Richard Avedon Studio and then Head Registrar at The American Federation of Arts. Coordinating art exhibitions in museums around the world for over a decade has consolidated my knowledge of best practice and standards in condition reporting.
I am a product designer and developer, creating applications and tools that do things simply but effectively, with the user’s goals always in mind
I have previous experience working in commercial galleries, including Stephen Friedman and Blain|Southern, and in fine art framing at John Jones. I made, received, and reviewed hundreds of condition reports before I joined Articheck. I love being able to help other art industry professionals lighten their workload and produce better reports!
My experience in secondary market sales, art logistics and gallery operations, as well as my master’s in Art Business from Sotheby’s, has prepared me for the fast-paced tech world of Articheck!
Marketing & Business Development
Having started out as a Gallery Manager of a contemporary gallery, I gained a broad variety of experience in daily logistics, operations and marketing. Going on to work in the Managing Director’s office at White Cube, assisting with front & backend selling strengthened my understanding of the commercial art market.